Sophie Mayer Even as I look, and even as I see, I am changing what is there. Sally Potter, The Gold Diggers

Even as I look, and even as I see, I am changing what is there. Sally Potter, The Gold Diggers. My blog Deliriums Library. Ldquo;What is the purpose of resisting corporate globalization if not to protect the obscure, the ineffable, the unmarketable, the unmanageable, the local, the poetic and the eccentric? So they need to be practiced, celebrated and studied too, right now. Rebecca Solnit. Im a UK-based writer, editor, educator and activist with a passionate commitment to arts. Kings College, London.

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Carrie Etter

Tuesday, 19 July 2016. Come along? Sunday, 12 June 2016. She from the spent cushion. Grasps his clothing, not. To keep him but to indicate pleasure-.

theatre notes

Ajcroggon at gmail dot com. Dear Readers As some of you will already know, Ive decided to close down Theatre Notes. Its a decision thats been staring m.

Contemporary UK Feminism - The F-Word

Want to write for The F-Word. Sophie Mayer previews the London Feminist Film Festival, back this year for its third edition 20-23 August. The first EdFringe 2015 theatre digest. From the experiences of young black women to depression in men via the armed forces and gendered toys, this is the first round-up of theatre reviews from the Edinburgh Fringe Festival 2015 from Megan Stodel.

TO BE LEFT WITH THE BODY

TO BE LEFT WITH THE BODY. Published by AIDS Project Los Angeles, and co-edited by Cheryl Clarke and Steven G. Fullwood, the collection features contributions from 16 writers and poets, and a series of photographs by New York artist Artis Q. Friday, November 28, 2008. A reading in honor of World AIDS Day.

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Sophie Mayer Even as I look, and even as I see, I am changing what is there. Sally Potter, The Gold Diggers

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Even as I look, and even as I see, I am changing what is there. Sally Potter, The Gold Diggers. My blog Deliriums Library. Ldquo;What is the purpose of resisting corporate globalization if not to protect the obscure, the ineffable, the unmarketable, the unmanageable, the local, the poetic and the eccentric? So they need to be practiced, celebrated and studied too, right now. Rebecca Solnit. Im a UK-based writer, editor, educator and activist with a passionate commitment to arts. Kings College, London.

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